Archived entries for Critical Theory

Effectiveness, Ethics and Community

A reply to Jen Angel’s “On Oscar Grant, Violence, and Outsiders

In looking at this situation, three questions come to mind:

Effectiveness: What is obtained by a given action for oppressed and marginalized peoples?

Ethics: What is the impact of a given action on oppressed and marginalized peoples?

Community: What is the response from oppressed and marginalized peoples who are most directly impacted by a given action?

As with most of the “activist left” in the US, especially among the college educated and/or white middle class left, black bloks pretty much fail in all three of these areas, but first and foremost, they tend not to be an effective means for building towards liberation, including the kinds of liberation that have anti-authoritarianism at their core: they’re a symbolic means of expressing extreme displeasure with a given situation, but frequently with a vaguely defined message and an even vaguer target. This is not to say that all forms of property destruction are inherently ineffective — indeed, there are a number of examples of such actions having a very clear message that is directly targeted at the source of the problem (warheads, for example), which while being symbolic in nature, use said symbolic means to raise both questions and awareness regarding the morality of a given enterprise from the powers-that-be. In contrast, going all smashy-smashy on a Whole Foods in the middle of a street-level moment of resistance to police violence may feel good — and believe me, there’s a lot that can be rightfully said and acted upon as per Whole Foods — but effective? I don’t think so. It’s not that Whole Foods or Starbucks or any of these corporate-based lifestyle behemoths aren’t an active part of people’s alienation — clearly they are – but targeting them by default typically doesn’t speak to the immediately tangible and quite real sources of people’s anger, and if anything, acting in such a fashion reinforces the laughably inaccurate view perpetuated in the mainstream media that “anarchists” (read: anybody dressed in black who breaks something that represents the status quo, regardless of their politics, race, gender, economic status, views on the state and so on) are a bunch of young, petulant white suburban youth who are just looking for something to vent their oh-so-inexplicable rage on.

In terms of ethics: I think much of what drives people in black bloks who have genuine intentions to change society for the better, if the various manifestos and statements I’ve read over the years are any indication, is the need to spur people to actively resist the myriad of ways that mainstream society oppresses the vast majority of people in a routine if not constant basis. In this way, the “outsiders” argument falls flat: the only real outsider is someone who is so removed from the vicissitudes of daily life as to be untouched by the quotidian, which means that with rare exception, none of us are outsiders, and we all are in this ennui-laden mess together. The problem with this approach as a justification for property destruction is that, if said manifestos are any indication, there doesn’t appear to be much of a dialogue outside of manifesto-writing circles and such as to what actually is both effective and ethical outside of said circles.

In contrast, what is needed from non-marginalized peoples in a given context (for example, white radicals living in a predominately black neighborhood) is much more in the way of efforts to actively engage in community dialogue in a way that is a two-way street, as well as a willingness to re-evaluate behavior on the basis of that dialogue — a “for us” as opposed to an “against you all.” The reason that this is necessary is not because of the mistaken presumption that a “white means bad, therefore, you’re blaming me for things I have no control over” sort of attack is being fomented by communities of color and their allies (a disturbingly common assumption, in my experience), but because mutually beneficial dialogue is how the work gets done. I’m speaking in general here; there are exceptions, but that’s the problem — they need to be not just exceptions, but the rule in order for any given group of people coming out of the broader radical left, including people who participate in black bloks, to be effective once again.

That said, I think the biggest ethical dilemma with utilizing black bloks as a tactic is that it can, and frequently does, give the police an excuse to institute ever more draconian measures at protests, while at the same time, providing them with a golden opportunity to improve upon the sorts of militarized tactics that have been used in poor communities on a regular basis for decades. In short: the intention coming from people who are part of a given black blok may not be to do the cop’s work for them (if anything, it can be and frequently is the opposite), but in practice, it does so, and quite effectively. This is exactly why the police love to infiltrate black bloks — it’s not just a matter of “getting the bad guys,” it’s also a utilization of a remarkably effective way to further drive a wedge in already polarized communities from all backgrounds, especially if infiltrators succeed in committing property damage without getting exposed, which in turn kicks in the mainstream media portrayal of “scary anarchists” in near-record time.

Further, the mainstream media’s common portrayal of your typical “black bloker” is white, male and quite far from being a cohesive “blok” of anything; it’s as if said individuals somehow found each other through some form of chaos-driven telepathy, or possibly via “anarchist gaydar,” as Jen Angel notes. The fact that this is not representative of the race, gender, social views, political work, et. al. of anarchists on the whole does not change the fact that a) the common perception among many non-anarchists is that anarchists equals black bloks equals those crazy white guys with their smashy-smashy, and b) while anarchists on the whole are not exclusively white and male, a lot of the people who are represented as “black blok anarchists” in the mainstream media in fact are such. This reifying of a tactic into a representation of “anarchists” writ large is further compounded by said portrayals typically being the only time the mainstream news ever mention anarchists or anarchism. This presents an interesting ethical dilemma for anarchists who do not feel adequately represented by this portrayal: how should we respond to this obvious misrepresentation of our work? In my view, the best way to counter this is to actively represent the ways in which our work is not represented by this portrayal whenever possible. By engaging in forms of work that actively challenge white supremacy and other mechanisms of oppression in the larger society, while openly representing how our political views can be used as a tool in transforming authoritarian social dynamics, we provide a counter-narrative to the dominant myth of the chaos-loving white boy in all black.

Lastly, community. The vast majority of resistance movements I’ve encountered on the broader left in the U.S. don’t have so much as a clue as to what concerns and motivates people in marginalized communities. The reason for this is simple: most people who self-identify as activists are too busy being right about things off in their own respective subcultures (be they professional, as in non-profits — or “amateur,” as in protests et. al.) to pay much attention as to what people who are not part of a given activist subculture thinks about them, and in turn, what the impact of what their behavior (from being the fairest of fair-weather friends to gentrifying neighborhoods) winds up being, even when they are living and/or working in the middle of poor and working class communities. The reason I point this out is that I would be remiss if I laid the burden of these counter-community sort of situations exclusively on people who happen to on occasion be in a black blok, whoever they may be; while there most certainly are white anarchists and other left radicals who are part of the problem, there are also people who politically identify as anarchists, radicals, et. al. who actively aren’t part of this problem, as well as white non-radicals who are every bit of guilty (if not more guilty) in having a deleterious effect on urban communities of color. However, nobody should merely be let off the hook here – saying “I’m one of the good guys, I want to change the world” is the oldest trick in the book.

This situation symbolizes a problem that, while in some ways highlighted by both the myths and the social realities surrounding black bloks, is also much larger than the occasional broken window. The sooner that larger numbers of people from the corners of the left addressed in this article realize this and start making moves to actively participate in changing these sorts of counter-community dynamics in all their forms, in ways that allow for direct representation from marginalized communities, the better off we all will be. By actively listening to, and when appropriate, engaging in community-based discussions regarding effectiveness and ethics, we create the potential for social change not by activist-based fiat, but through a process that is both diverse and decentralized – a goal that has been much touted not just in anarchist circles, but by the grassroots left as well. It’s my hope that this most recent example of “the trouble with anarchists” can be turned on its ear, and replaced with the beginnings of an actual dialogue for the benefit of all.

Beyond the Pretenses of U.S. Politics (Guest Post)





I have a guest post up at P! Post-Politics in Depth: An Asylum for Broken Rabble. I also wrote an article for ALLiance a while back; look for “Conviviality and Empire” in the table of contents. Enjoy. :)





Iran in 2009 =/= cold warIran in 2009 =/= cold warIran in 2009 =/= cold war

With props to Just Jo Nubian for “The powers = chess”, Davey D for covering this first, and Clay Shirky for the big picture. You all rock my world with your amazing selves. <3

Somewhat distressed over anti-Empire folks from both the progressive left and the anti-NWO right pointing to CIA involvement in Iran in response to recent events. Consider the following scenario, which is based on history + unfolding events; please read accordingly:

Ahmadinejad is asserting that the Iranian uprising is a result of U.S. interference, which is being further reinforced by assertions by anti-Empire activists in the U.S., who point to this history of U.S. intelligence involvement in Iran both historically and as recently as 2008. This argument -– CIA involvement = U.S. backed destabilization — harkens back to the cold war; and while said argument is a matter of record -– the CIA was actively involved in the 1953 coup which brought the Shah to power, for example -– what is also clear is that Iranians in opposition to the current leadership have their own agenda. The inference from some anti-Empire activists that the CIA may have had a hand in the uprising also infers a conflation of the actions of Iranians in opposition to the present leadership with the CIA’s interests — an assertion which is very possibly inaccurate as well as enabling of both Ahmadinejad’s assertions of U.S. interference and the neo-conservative utilization of the present scenario to their own means; in particular, it gives U.S. neo-conservatives an opportunity to attempt undermining of President Obama’s seemingly more nuanced approach, while furthering their own militaristic objectives in the region – hardly an ideal situation for people who are in opposition to U.S. hegemony.

While the legacy of CIA destabilization of regimes around the world remains to this day, the problem is that we’re not in the cold war anymore. Instead, what we have is a global matrix of power that encompasses multiple social forces, both governmental and civic, that are approaching any given scenario -– all with their own needs, desires and objectives, some of which layer over the top of one other. If the cold war is drawn in analogy to checkers, what we have now is chess, of which the internet is a small but very important part, and even more ubiquitous communication tools (cell phones in particular) are actively a part of as well. Losing sight of this means that you’re looking at a different situation, with predictable outcomes, many of which are anything but liberatory.

Lessons so far:

This is the Iranians’ struggle for a new system, period. All of us on the outside who care about that struggle are just the helpdesk, if you will.

The history of CIA involvement in Iran is clear; what is also clear is that there are multiple interests at stake here. Conflating things into a cold-war like form of bilateral detente/brinkmanship is a deeply flawed analysis of this situation, and if anything, reinforces both the current Iranian leadership’s anti-U.S. assertions, as well as the U.S. neo-conservatives’ anti-Iran ones.

Decentralized tools increasingly multiply the chances of decentralized action using those tools (Shirky, 2008, “Here Comes Everybody”). This reality turns an already highly complex global scenario into a vastly more intricate one. Chess, not checkers; and losing sight of that has potentially unfortunate consequences, both for the players as well as those impacted by the “game.”

Funk it with feeling, y’all…it’s the Friday wrap-upFunk it with feeling, y’all…it’s the Friday wrap-upFunk it with feeling, y’all…it’s the Friday wrap-up

KKK gets pwnd by…clowns. Twitter props to @FeminaPotens and numerous others in the blogtwitterosphere.

Havana times: Homophobia is the problem, not gays.

Wired gets it more or less right this time: The New Socialism: Global Collectivist Society Is Coming Online. They even break down Clay Shirky’s steps for online collaboration and action! Yay. Serious props to “Anarch” in the article’s comments for pointing out that this isn’t the New Socialism, but is the New Anarchism. You said it compañera/o. Boo to the idiot who said that libertarian socialism contains “a high degree of coercion” because every system that has used the term socialist is coercive, and therefore, he can’t be bothered to look up its history, even when numerous examples of said history were contained within the thread. Kronstadt, hello? /ostrich, FAIL Also, see: http://www.adbusters.org/magazine/82/tactical_briefing.html

Joss Whedon on Humanism. A lovely meditation on the need for compassion and intellect over ideology.

Really great guest blog by @Jesimone on walking as healing and the complexities of race.

#win of the week: Sotomayor. Stay strong, Boriqua, we’re counting on you.

#fail of the week: CA supreme court prop8 decision. While I’m glad that they respect the rights of CA residents to make their own decisions (no matter how backward), the whole thing smacks of compromise and politicization. Can’t wait for this shit to get overturned at the ballot box; yet another example of how California is nowhere near as liberal as its reputation suggests.

The extended spring of my happy discontentThe extended spring of my happy discontentThe extended spring of my happy discontent

An epiphany in honor of Jeanette Winterson

It was the spring of 2007 when the work began to dry up. I had been working as a freelance copy writer, as well as doing a bit of work grading ESL papers. Money was tight, but manageably so. Then slowly, things turned to a trickle. The workload was cut, wages were slashed in half. It was quickly becoming pointless, so I walked into the future, into a vast, welcoming sea of…

…total brokeitude.

I have been here before, many a time. Consider 1993, when I was four months behind in rent. Thanks to a landlord that was flexible enough that I’m still convinced that she was not quite of this world, I didn’t end up on the street. Things did turn around though, and before I knew it, I was waist-deep in a solid income. Lo and behold, I even had the approval of my parents, who as much as they love me, have never really got the whole artist deal. I was acceptable, almost normal, even.

I was miserable.

So when things tanked again in 2001, I walked away from moderately well-heeled despair to attempt to undo the horrendous mistake of it all, this time with a bit of severance pay to soften the blow. This in turn led to graduate school, as well as more time protesting than probably was in my best interests. As noted above, a smaller but noticeable amount of regular income came back into my life for a bit, but things soured again.

Would it shock you if this state is where I find myself still, two years in, ever-so-slowly finding my own way, eking out something well beneath what most people in the US would consider to be a stable income – and yet, even the worst days are vastly more sane, balanced and in tune with the world then the best days previously were? If you are confused by my sense of priorities here, consider this: the “best days” during my corporate years were the days where I had a glimpse of my former happy existence as a broke artist.

If this still puzzles you, let me refer you to a white paper, it may help a bit. “A liminal existence.” That’s what the white paper from AWP said about the post-graduate life of people like me. “Liminal.” See? It’s official. What was formerly the exclusive domain of visionaries and other mad people (I’ll leave it to you to decide which one I am) is now a demographic. You can rest easy in the certainty that I have my place on the spreadsheet now.

This certainty of course is preposterous. All they can offer up is what not just any post-MFA student knows, but what any serious aspiring artist knows as well – that the path of the artist is treacherous, frequently full of failure, and further, that a sizable number of the so-called successes fail epicly to a degree that only Guy Fawkes could fully appreciate, with trashed hotel rooms, fits of mania or suicidal tendencies, and various forms of train wrecked existence in lieu of gunpowder plots? Please. Apologies all around, but forget the white paper. What saved my rounded bottom somewhere between the work drying up and the work drying up yet again was Jeanette Winterson.

Listen to her for yourself:

A work of art is abundant, spills out, gets drunk, sits up with you all night and forgets to close the curtains, dries your tears, is your friend, offers you a disguise, a difference, a pose. Cut and cut it through and there is still a diamond at the core. Skim the top and it is rich. The inexhaustible energy of art is transfusion for a worn-out world.

And:

The artist imagines the forbidden because to her it is not forbidden. If she is freer than other people it is the freedom of her single allegiance to her work. Most of us have divided loyalties, most of us have sold ourselves. The artist is not divided and she is not for sale. Her clarity of purpose protects her although it is her clarity of purpose that is most likely to irritate most people. We are not happy with obsessives, visionaries, which means, in effect, we are not happy with artists. Why do we flee from feeling? Why do we celebrate those who lower us in the mire of their own making while we hound those who come to us with hands full of difficult beauty…what would happen to us if we could imagine in ourselves authentic desire?

These quotes are from a magnificent work of hers called Art Objects, and while it would be a stretch to say that it saved my life, it did save me from a very hazardous toying with a return to the death that is corporate america when the ramen ran out yet again, and the cheap rent started to look insanely expensive.

“Objects to what?”, you may ask.

Being constrained, moulded, packaged, lectured, cajoled. Put into a box for safekeeping. Shrink-wrapped. Lied to, sat upon, mistrusted, misunderstood, ignored. (The former activist in me has to find humor in how closely this resembles Proudhon’s admonishment of government – which is no accident or mere coincidence at all.) In which manner does it do so – the protest, the direct action, the takeover? No. It does so through art itself – not the “I’d like something in green to match the sofa” sort of art – which is more a form of interior decorating – but the kind that takes hold of you and refuses to let go. A tempest that devours the teapot and leaves you bare and Awake. It’s what I live for, and while I would never be so rude as to say that it’s what you should do as well, if you do find yourself in fits of despair, you may want to look at where the creativity in your life resides. If the answer to this is “under a rock,” it may be time to get into the mud a bit.

It should be noted though that none of this is meant to romanticize poverty. The rather dismal state of affairs for artists (and increasingly, for everybody who needs to work for a living) has led to a truncation of the inherent need for creativity in people’s lives by war and economic uncertainty. As Winterson points out, “Ours has not been an easy century for art…Two World Wars, the Spanish Civil War, the General Strike of 1926 and the Depression of the 1930s cut short those experiments in language and in thought that human beings perpetually make and perpetually need.” What she specifically is referring to here is Modernism, but this could be applied to present day realities as well. How much has remained unsaid because of famine, disease and the cultural wars against drug users (actual or suspected), against queers, against pretty much anybody who disobeys? Quite a bit – but consider how power always has two sides; while I think that hip-hop would have emerged with or without the drug wars, consider also how the necessary resistance to power on the part of those who were oppressed led to some of the best works of Hip Hop’s first generation. As Hardt and Negri note repeatedly throughout their work, the price that Empire pays for utilizing biopower may be Empire itself. Do be aware though that for those of you who think that “The Work” is fine and all, but that it’s not social change work, and that it’s not even close to being revolutionary? Please do not project onto artists your own failed attempts at fomenting an uprising because we have the ability to charter the chaotic with greater finesse than you. It makes you mundane, and the last thing the world needs is yet another sorry pack of trifling, artless insurrectionists.

Meanwhile, while we all wait and wonder if capitalism is finally done for good, let it be known that what saved me was not the trade organization, not work (definitely not work), and dear god, don’t even get me started about activism. No, it was art, as in The Work. And my Work objects. Frequently and loudly – but more and more as I recover from activism, from the streets, from that anything-but-liminal form of soul death that I used to call a life? Subtly as well. Art resists – but with a sense of style.

It’s the Friday wrap up, y’allIt’s the Friday wrap up, y’allIt’s the Friday wrap up, y’all

Courtesy of Rebecca Walker, The Great Illmatic‘s amazing YouTube blog on post-racism, Asher Roth and the racial crossroads.

The funny as hell Stimulator is on a west coast tour – the show is called “Hopium: Confronting Fascism in the Obama era”, and promises to be both lively and informative.

Happy birthday to Malcolm X and Harvey Milk! You both are missed, and frequently in my thoughts. <3

Gaurav Mishra on why he writes about social media.

Noam Chomsky on torture memos and Obama.

Lastly, a wink and a nod to @mmrohrer over on Twitter for noting that yes indeed Virginia, there are sex toys in the bible.

That’s about it! Until next week, be well, stay safe and as always, stay in trouble. ^_^

Seattle is dead, long live MultitudeSeattle is dead, long live MultitudeSeattle is dead, long live Multitude

One of the things that tires me to no end about left activists is the notion that we all have to be on the same page, all the time, about everything. Having weathered through a seemingly endless number of house meetings, groupthinks, clusterfucks and so on, I can personally testify to the incessant drum beat of such practices. Note that this includes anti-authoritarians, although for obvious reasons, not to quite the same degree as a centralized, cadre-driven Marxist-Leninist party: think vegans, punk rock/hipster conformity, and collective living.

In no small part, I think this hive-mind-as-potluck tendency is due to leftover – and in some cases, active – strains of 1960s/70s Leninist centrism within left activist circles; an approach that has its origins in a centralized vanguard controlling a mass movement via multiple satellites. Simply put, this approach has outlived its debatable usefulness, both culturally and practically. If anything, discussing this in anything other than the past tense reflects how much a large portion of the activist left is out of touch with the changes that are happening rapidly within global culture. A cursory glance over the political landscape in the US reveals many recognizable movements, and then there’s the thousands of internet-based groups, of which a small but notable minority are political in nature – and yet, if you were to take your information from your standard Usual Suspects, you would be under the impression that there’s a small scattering of such movements, if not a monolithically framed “The Movement” – as if working for social change was some sort of singularity for process freaks – while groups on the internet are dismissed as being escapist or dilettantish.

In fact, it is not centralized, factory-like apperatti that drive social change at this point; instead, it is the very same tendencies towards decentralization and spontaneous mass formation that are part of the culture as a whole, and that are frequently used to formulate mass opinion via crowd psychology. As awful as that may sound, this trend is enormously beneficial: as Rosa Luxembourg noted back in the day, revolution starts with the unconscious: the spontaneous forming of mass resistance to societal forces occurs when a critical mass of people can’t take the unbearable bullshit of it all and start to fight back. It is after this resistance starts to mature a bit that the need for some sort of organizational structure begins to take root. In addition, as Hardt and Negri note in their seminal books Empire and Multitude, the fomentation of a decentralized mostly rural resistance under a centralized command has started to give way to a urban one of a more autonomous nature, circa 1968 onward. As such, the formation of Empire through a decentralized web of semi-conscious individuals, wherein each person is a potential consumer (or if you will, an energy source within a Matrix-like socioeconomic framework) is also the same mechanism wherein individuals can wake up, creatively formulate and strategize with others, and start to resist their own subjugation.

This process of shifting from centralization to autonomy began as many things do: at the end of a cycle. As anarchists were still suffering from the defeat in Spain (as was everybody on the left who was within Franco’s purview), the beginnings of what would become the New Left were beginning to take shape, both culturally and politically. Possibly because of the psychological impact of World War II, as well as the eventual mass availability of the birth control pill and the personal computer, the progressive modernist ideals of the late 19th and early-to-mid 20th century were giving way to postmodern ones. It is for this reason that what has matured throughout the latter part of the 20th century up to the present day is not a centralized, vertical apparatus, but a swarm of decentralized, horizontal pluralities with varying states of authority or autonomy on a case-by-case basis. Seen through a modernist lens, this may look like a regression; but in fact, it is a meaningful shift in tactics and strategies to the present-day virtuality of culture. What is now clear is that centralized organizing as a unitary movement-generating tool has long outlived its prime, and what the left – and in particular, the radical left – is currently suffering from is the last vestiges of that dying ember.

And now, we find ourselves in the midst of an even more articulated form of autonomous resistance yet again, thanks to the internet. The very technologies that are being used to monitor us all are also being used to coordinate the beginnings of mass resistance. As Clay Shirky notes in his seminal book Here Comes Everybody, what used to be the exclusive domain of governments and mainstream media is now potentially in the hands of all, or will be very shortly: from flash mobs in Belarus to internet-coordinated student walkouts in the US, people are using digital technology to assert their collective power in creative and unpredictable ways. (The irony of this to Star Trek fans should be evident: it’s as if the Federation – the government – had given the Borg – the resistance – a bad reputation by castigating it as mindless and hierarchal, when in fact the opposite is true.)

With time, hopefully the activist left will start to capitalize more effectively on this trend towards mass decentralization and empowerment, and act accordingly. As it presently stands, it appears that we’re going through a prolonged period of the left using these tools, but not necessarily being adept at manipulating them. (My own personal attempts to educate fellow activists on the usefulness of these technologies can stand as testament to this fact: having grown weary of debating the merits of the web with laptop-lugging luddites and patiently re-re-schooling “How do I use the internet?” newbies, I’ve taken to blogging instead.) While I do think this is a shame, I also contend that it is critical for people on the left to realize that people en masse are going to empower themselves, with or without activists to “help” them. Any other course of action would be a rather profane act of self-effacement, serving no real purpose other than adhere to antiquated notions about the nature of power in society, such as technology being exclusively in service to our supposed betters, rather than a multi-faceted manifestation of biopower that embodies as much as it oppresses. Most people do not have the sort of luxury that allows for such adherence, and the left should not delude themselves into thinking that they have that sort of cultural opulence either.

Welcome to the Twithouse

The first few times I watched Dollhouse, I hated it. It seemed inexplicably bad, what with the cheesy soundtrack (bad porn) and the woman-as-prey plots (again, bad porn) – it was as if Joss Whedon had a bad dream in some not-so-alternate GOP universe after a much-too-late dinner, then left the cable on when he dozed off at 2 AM. (If you haven’t seen the series, the Dollhouse is mostly a sex-for-hire conclave, but with perhaps-willingly-perhaps-not human participants as programmable sexbots. It’s much more nuanced than that, but that’s the gist.) The show has started to raise some serious questions about the relationship of identity to technology, and particularly as the first season begins to reach its close, some serious overarching themes regarding race, class and gender are beginning to take shape. It’s also become as entertaining as Buffy was, but without all the gosh-shucks-I-have-a-dark-side hijinx – the intersections of sex work, technology and identity that are being covered is definitely transgressive territory, and Whedon deserves to be applauded for raising an increasingly provocative and uncomfortable series of questions in relation to that territory.

What happens though when something like Dollhouse – or if you will, a technology that resembles a neurologically programmable version of Second Life – becomes as commonplace as Twitter? If the evolution of the web is any indication, as social media evolves as a mass medium, there will be more people involved with far less agency in real life than the various and sundry digerati typically found in social media’s earlier stages; for example, more women and people of color will be involved, but most likely in an inverse relationship. (It simply is not the case that Oprah singing the virtues of microblogging means that homegirl on the corner with a cell phone and a Twitter account is gonna be kickin’ it with Ashton Kutcher – or landing a prestigious gig at Google – in real life.) It’s also true that at least some of the people involved with the earlier stages of the technology will drop out entirely due to becoming bored with the medium, or more precisely, because it doesn’t reflect their self image as much as it used to.

None of this is to meant to assert that bleeding edge d00ds jumping ship once a technology goes viral is inherently unwelcome. If anything, this particular point is where a given technology begins to represent actual social power on a national or global scale. (It also allows for the possibility of further advancement of the technological shifts in question, which in turn, creates the possibility for more rapid grassroots social change, as well as an expansion of social degradation and control.) This amassing of collective social power is brought up repeatedly by the critical theorists Hardt and Negri (and to some degree, by Shirky); pulling from Foucault’s concept of Biopower, which can loosely be defined as the mechanisms of global power made manifest in people’s social consciousness, Hardt and Negri note that mechanisms of social control that are utilized on a mass scale to empower Empire are so integrated into the fabric of people’s daily lives and interactions, that these same mechanisms can be used to cultivate mass power in a decentralized fashion. This also calls into question, or at least submits for revision, the notion that social transformation can only occur through centralized bodies, such as political parties. For Hardt and Negri, social transformation looks somewhat like culture jamming on a mass scale, and much less like building a worker’s party. This ties into historical and cultural shifts that have occurred post-World War II, which I will write about later this week; but for now, I’ll suffice by saying that all is not as it seems when it comes to agency and power in the post-industrial world, and there’s much that is reflected in Whedon’s work – and in particular, in Dollhouse and to some degree, Firefly – that can be viewed in the context of cultural and literary tensions between modernism and post-modernism.

Further reading:

Hardt and Negri, Multitude
Clay Shirky, Here Comes Everybody