Archived entries for Activism

Effectiveness, Ethics and Community

A reply to Jen Angel’s “On Oscar Grant, Violence, and Outsiders

In looking at this situation, three questions come to mind:

Effectiveness: What is obtained by a given action for oppressed and marginalized peoples?

Ethics: What is the impact of a given action on oppressed and marginalized peoples?

Community: What is the response from oppressed and marginalized peoples who are most directly impacted by a given action?

As with most of the “activist left” in the US, especially among the college educated and/or white middle class left, black bloks pretty much fail in all three of these areas, but first and foremost, they tend not to be an effective means for building towards liberation, including the kinds of liberation that have anti-authoritarianism at their core: they’re a symbolic means of expressing extreme displeasure with a given situation, but frequently with a vaguely defined message and an even vaguer target. This is not to say that all forms of property destruction are inherently ineffective — indeed, there are a number of examples of such actions having a very clear message that is directly targeted at the source of the problem (warheads, for example), which while being symbolic in nature, use said symbolic means to raise both questions and awareness regarding the morality of a given enterprise from the powers-that-be. In contrast, going all smashy-smashy on a Whole Foods in the middle of a street-level moment of resistance to police violence may feel good — and believe me, there’s a lot that can be rightfully said and acted upon as per Whole Foods — but effective? I don’t think so. It’s not that Whole Foods or Starbucks or any of these corporate-based lifestyle behemoths aren’t an active part of people’s alienation — clearly they are – but targeting them by default typically doesn’t speak to the immediately tangible and quite real sources of people’s anger, and if anything, acting in such a fashion reinforces the laughably inaccurate view perpetuated in the mainstream media that “anarchists” (read: anybody dressed in black who breaks something that represents the status quo, regardless of their politics, race, gender, economic status, views on the state and so on) are a bunch of young, petulant white suburban youth who are just looking for something to vent their oh-so-inexplicable rage on.

In terms of ethics: I think much of what drives people in black bloks who have genuine intentions to change society for the better, if the various manifestos and statements I’ve read over the years are any indication, is the need to spur people to actively resist the myriad of ways that mainstream society oppresses the vast majority of people in a routine if not constant basis. In this way, the “outsiders” argument falls flat: the only real outsider is someone who is so removed from the vicissitudes of daily life as to be untouched by the quotidian, which means that with rare exception, none of us are outsiders, and we all are in this ennui-laden mess together. The problem with this approach as a justification for property destruction is that, if said manifestos are any indication, there doesn’t appear to be much of a dialogue outside of manifesto-writing circles and such as to what actually is both effective and ethical outside of said circles.

In contrast, what is needed from non-marginalized peoples in a given context (for example, white radicals living in a predominately black neighborhood) is much more in the way of efforts to actively engage in community dialogue in a way that is a two-way street, as well as a willingness to re-evaluate behavior on the basis of that dialogue — a “for us” as opposed to an “against you all.” The reason that this is necessary is not because of the mistaken presumption that a “white means bad, therefore, you’re blaming me for things I have no control over” sort of attack is being fomented by communities of color and their allies (a disturbingly common assumption, in my experience), but because mutually beneficial dialogue is how the work gets done. I’m speaking in general here; there are exceptions, but that’s the problem — they need to be not just exceptions, but the rule in order for any given group of people coming out of the broader radical left, including people who participate in black bloks, to be effective once again.

That said, I think the biggest ethical dilemma with utilizing black bloks as a tactic is that it can, and frequently does, give the police an excuse to institute ever more draconian measures at protests, while at the same time, providing them with a golden opportunity to improve upon the sorts of militarized tactics that have been used in poor communities on a regular basis for decades. In short: the intention coming from people who are part of a given black blok may not be to do the cop’s work for them (if anything, it can be and frequently is the opposite), but in practice, it does so, and quite effectively. This is exactly why the police love to infiltrate black bloks — it’s not just a matter of “getting the bad guys,” it’s also a utilization of a remarkably effective way to further drive a wedge in already polarized communities from all backgrounds, especially if infiltrators succeed in committing property damage without getting exposed, which in turn kicks in the mainstream media portrayal of “scary anarchists” in near-record time.

Further, the mainstream media’s common portrayal of your typical “black bloker” is white, male and quite far from being a cohesive “blok” of anything; it’s as if said individuals somehow found each other through some form of chaos-driven telepathy, or possibly via “anarchist gaydar,” as Jen Angel notes. The fact that this is not representative of the race, gender, social views, political work, et. al. of anarchists on the whole does not change the fact that a) the common perception among many non-anarchists is that anarchists equals black bloks equals those crazy white guys with their smashy-smashy, and b) while anarchists on the whole are not exclusively white and male, a lot of the people who are represented as “black blok anarchists” in the mainstream media in fact are such. This reifying of a tactic into a representation of “anarchists” writ large is further compounded by said portrayals typically being the only time the mainstream news ever mention anarchists or anarchism. This presents an interesting ethical dilemma for anarchists who do not feel adequately represented by this portrayal: how should we respond to this obvious misrepresentation of our work? In my view, the best way to counter this is to actively represent the ways in which our work is not represented by this portrayal whenever possible. By engaging in forms of work that actively challenge white supremacy and other mechanisms of oppression in the larger society, while openly representing how our political views can be used as a tool in transforming authoritarian social dynamics, we provide a counter-narrative to the dominant myth of the chaos-loving white boy in all black.

Lastly, community. The vast majority of resistance movements I’ve encountered on the broader left in the U.S. don’t have so much as a clue as to what concerns and motivates people in marginalized communities. The reason for this is simple: most people who self-identify as activists are too busy being right about things off in their own respective subcultures (be they professional, as in non-profits — or “amateur,” as in protests et. al.) to pay much attention as to what people who are not part of a given activist subculture thinks about them, and in turn, what the impact of what their behavior (from being the fairest of fair-weather friends to gentrifying neighborhoods) winds up being, even when they are living and/or working in the middle of poor and working class communities. The reason I point this out is that I would be remiss if I laid the burden of these counter-community sort of situations exclusively on people who happen to on occasion be in a black blok, whoever they may be; while there most certainly are white anarchists and other left radicals who are part of the problem, there are also people who politically identify as anarchists, radicals, et. al. who actively aren’t part of this problem, as well as white non-radicals who are every bit of guilty (if not more guilty) in having a deleterious effect on urban communities of color. However, nobody should merely be let off the hook here – saying “I’m one of the good guys, I want to change the world” is the oldest trick in the book.

This situation symbolizes a problem that, while in some ways highlighted by both the myths and the social realities surrounding black bloks, is also much larger than the occasional broken window. The sooner that larger numbers of people from the corners of the left addressed in this article realize this and start making moves to actively participate in changing these sorts of counter-community dynamics in all their forms, in ways that allow for direct representation from marginalized communities, the better off we all will be. By actively listening to, and when appropriate, engaging in community-based discussions regarding effectiveness and ethics, we create the potential for social change not by activist-based fiat, but through a process that is both diverse and decentralized – a goal that has been much touted not just in anarchist circles, but by the grassroots left as well. It’s my hope that this most recent example of “the trouble with anarchists” can be turned on its ear, and replaced with the beginnings of an actual dialogue for the benefit of all.

Beyond the Pretenses of U.S. Politics (Guest Post)





I have a guest post up at P! Post-Politics in Depth: An Asylum for Broken Rabble. I also wrote an article for ALLiance a while back; look for “Conviviality and Empire” in the table of contents. Enjoy. :)





New Democrat 3.0New Democrat 3.0New Democrat 3.0

Glenn Greenwald on Neda, Obama, Helen Thomas and the failure of some journalists to comprehend people power. Cutting off Helen Thomas for doing her job is more something I’d expect from Reagan or Bush – it’s just disingenuous, and in this instance, derisive as well. Since when is connecting the dots between U.S. behavior and the behavior of those whom the U.S. critiques off limits? Getting pretty tired of the double-talk, and not really interested in hearing about hope, either. As Bill Maher recently said, “He’s not your boyfriend.

The “Zero respect for the dead” award goes to…

While I understand that CNN’s coverage on the unfolding events in Iran has improved, and that they’re not the only network that indulges in sensationalism, this is over the top. From Twitter:

@octavianasrCNN: You watched her die in front of your eyes.. Now MEET #NEDA! full report on AC360 #iranelection

I’m waiting for Howard Beale and Sybil the Soothsayer to enter stage left. Or perhaps those wacky revos on the Mao Tse-tung hour

(Props to @cjdkc on Twitter for bringing this to folks’ attention)

Meanwhile, plenty of oppression in the U.S.Meanwhile, plenty of oppression in the U.S.Meanwhile, plenty of oppression in the U.S.

Just Jo Nubian reminds us all to keep under-reported stories about the murdering of African-Americans in the U.S. in mind, as the mainstream media continues to cover events in Iran.

Iran in 2009 =/= cold warIran in 2009 =/= cold warIran in 2009 =/= cold war

With props to Just Jo Nubian for “The powers = chess”, Davey D for covering this first, and Clay Shirky for the big picture. You all rock my world with your amazing selves. <3

Somewhat distressed over anti-Empire folks from both the progressive left and the anti-NWO right pointing to CIA involvement in Iran in response to recent events. Consider the following scenario, which is based on history + unfolding events; please read accordingly:

Ahmadinejad is asserting that the Iranian uprising is a result of U.S. interference, which is being further reinforced by assertions by anti-Empire activists in the U.S., who point to this history of U.S. intelligence involvement in Iran both historically and as recently as 2008. This argument -– CIA involvement = U.S. backed destabilization — harkens back to the cold war; and while said argument is a matter of record -– the CIA was actively involved in the 1953 coup which brought the Shah to power, for example -– what is also clear is that Iranians in opposition to the current leadership have their own agenda. The inference from some anti-Empire activists that the CIA may have had a hand in the uprising also infers a conflation of the actions of Iranians in opposition to the present leadership with the CIA’s interests — an assertion which is very possibly inaccurate as well as enabling of both Ahmadinejad’s assertions of U.S. interference and the neo-conservative utilization of the present scenario to their own means; in particular, it gives U.S. neo-conservatives an opportunity to attempt undermining of President Obama’s seemingly more nuanced approach, while furthering their own militaristic objectives in the region – hardly an ideal situation for people who are in opposition to U.S. hegemony.

While the legacy of CIA destabilization of regimes around the world remains to this day, the problem is that we’re not in the cold war anymore. Instead, what we have is a global matrix of power that encompasses multiple social forces, both governmental and civic, that are approaching any given scenario -– all with their own needs, desires and objectives, some of which layer over the top of one other. If the cold war is drawn in analogy to checkers, what we have now is chess, of which the internet is a small but very important part, and even more ubiquitous communication tools (cell phones in particular) are actively a part of as well. Losing sight of this means that you’re looking at a different situation, with predictable outcomes, many of which are anything but liberatory.

Lessons so far:

This is the Iranians’ struggle for a new system, period. All of us on the outside who care about that struggle are just the helpdesk, if you will.

The history of CIA involvement in Iran is clear; what is also clear is that there are multiple interests at stake here. Conflating things into a cold-war like form of bilateral detente/brinkmanship is a deeply flawed analysis of this situation, and if anything, reinforces both the current Iranian leadership’s anti-U.S. assertions, as well as the U.S. neo-conservatives’ anti-Iran ones.

Decentralized tools increasingly multiply the chances of decentralized action using those tools (Shirky, 2008, “Here Comes Everybody”). This reality turns an already highly complex global scenario into a vastly more intricate one. Chess, not checkers; and losing sight of that has potentially unfortunate consequences, both for the players as well as those impacted by the “game.”

Are we actually starting to be in control here?

Rush job Twitter transcript follows below, with minor cleanup for continuity; much cred to Rebecca Walker for saying “more please” at just the right moment. <3

Solidadrocks The problem w/ the old school publishing system is that it constantly feeds off of a writerly underclass; poets are a prime example. (more)

solidadrocks However, Amazon isn’t the solution; open source models + p2p is. If coders can do it, so can writers – musicians already are.

Elliotharmon @solidadrocks What’s that mean? Just distribute our writings by bittorrent and the like?

Solidadrocks @elliotharmon In part, yes. I think what’s still emerging is a means to capitalize on social media for writers specifically (more)

solidadrocks @elliotharmon (cont.) but look at open source software — small distributed model as a result of deflated costs. why publishing (more)

solidadrocks why *old school publishing models don’t work is that

solidadrocks @elliotharmon (cont.) is that digital media has flatted the costs of creating infrastructure, aka distribution. making that model (more)

solidadrocks @elliotharmon (cont.) work is our job. /fin

solidadrocks the irony here is that by pushing the costs of distribution off onto artists, it’s given us the ability to recoup profits directly.

Solidadrocks It’s as if we’re at the stage of building an audience. The expectation is “where’s the money?” but you need to build audience first.

Solidadrocks and fwiw, i have a much bigger audience on the web than i did without it. it’s the first step, but definitely not the last one.

Solidadrocks now, if you already have a large audience, this can seem like a pain. what folks need to consider is how much is getting opened up here.

Solidadrocks a very large, indeterminate number of artists who were heretofore under the radar suddenly have both a broadcast and a distribution model…

solidadrocks …for free. so i’m not exactly sweating copyright, if you get my drift, y’all. ;-)

solidadrocks all i know is that the #hustle is my new currency. less of it means more slack = more time to write. sounds good to me :)

rebeccawalker @solidadrocks more please.

solidadrocks @rebeccawalker will do – just getting started :) thanks

elliotharmon @solidadrocks It seems like it’s a much older question sans technology – the freedom of DIY vs. the polish of an established press.

Elliotharmon @solidadrocks Ultimately, the writers I’m most attracted to sort of straddle that fence.

Solidadrocks @elliotharmon like most upheavals in culture, it definitely has a history; as you said, it points back to DIY. free software mvmt, too.

Elliotharmon @solidadrocks The connection to open source is interesting, I hadn’t thought about that.

Solidadrocks I mean, consider the impact of this on an intersexed mixed-race lesbian author w/ radical politics. No longer just a whipping post 4 BillO.

Solidadrocks re IS mixed-race etc. author: not that I’m naming names here or anything. ;-) seriously, it changes things.

Elliotharmon @solidadrocks But most attempts I’ve seen to directly monetize online literature are pretty – dopey?

Solidadrocks @elliotharmon I think that’s because 1) digital distro is still new, and 2) consider who is making the platforms.

Elliotharmon @solidadrocks I’d rather to the monetizing in person; i.e., touring.

Solidadrocks @elliotharmon see that’s just it. the same thing is happening w/ musicians — you sell in concert, not through brick and mortar.

Solidadrocks It’s like that poet who is supporting the pirate bay — he’s famous, hell, seemingly he would have a lot to lose. but he notes…

solidadrocks…that audience is the first step. the existing models stifle creativity more than nourish it en masse. Winterston talks about this as well

elliotharmon@solidadrocks Yeah, I get you, and the internet has a pretty amazing ability to nurture marginalized communities, no question.

Solidadrocks @elliotharmon which in turn, opens the possibility for nurturing for everybody, not just the marginalized.

Solidadrocks re the platforms: i think free CMSes such as joomla and drupal, as well as semi-open platforms such as Ning, are the first step in what…

solidadrocks …is going to be a long process. writers and developers collaborating is a critical step in this process imo.

Elliotharmon @solidadrocks This is really interesting, I’ll try to send you an email, but now I gots to work.

Solidadrocks @elliotharmon coolness, please do.

Solidadrocks none of this is to say that people shouldn’t organize for better contracts – they should! but what if you have “the stuff”, but never get 1?

solidadrocks most of the writing contracts i’ve signed over the years have been shit – either $$ but work for hire, or shitty pay w/ some (or no) control

solidadrocks also, the work for hire contracts were for doing things i absolutely hate, like tech writing. UGH. still, i’m fortunate, rel. speaking.

Funk it with feeling, y’all…it’s the Friday wrap-upFunk it with feeling, y’all…it’s the Friday wrap-upFunk it with feeling, y’all…it’s the Friday wrap-up

KKK gets pwnd by…clowns. Twitter props to @FeminaPotens and numerous others in the blogtwitterosphere.

Havana times: Homophobia is the problem, not gays.

Wired gets it more or less right this time: The New Socialism: Global Collectivist Society Is Coming Online. They even break down Clay Shirky’s steps for online collaboration and action! Yay. Serious props to “Anarch” in the article’s comments for pointing out that this isn’t the New Socialism, but is the New Anarchism. You said it compañera/o. Boo to the idiot who said that libertarian socialism contains “a high degree of coercion” because every system that has used the term socialist is coercive, and therefore, he can’t be bothered to look up its history, even when numerous examples of said history were contained within the thread. Kronstadt, hello? /ostrich, FAIL Also, see: http://www.adbusters.org/magazine/82/tactical_briefing.html

Joss Whedon on Humanism. A lovely meditation on the need for compassion and intellect over ideology.

Really great guest blog by @Jesimone on walking as healing and the complexities of race.

#win of the week: Sotomayor. Stay strong, Boriqua, we’re counting on you.

#fail of the week: CA supreme court prop8 decision. While I’m glad that they respect the rights of CA residents to make their own decisions (no matter how backward), the whole thing smacks of compromise and politicization. Can’t wait for this shit to get overturned at the ballot box; yet another example of how California is nowhere near as liberal as its reputation suggests.

The extended spring of my happy discontentThe extended spring of my happy discontentThe extended spring of my happy discontent

An epiphany in honor of Jeanette Winterson

It was the spring of 2007 when the work began to dry up. I had been working as a freelance copy writer, as well as doing a bit of work grading ESL papers. Money was tight, but manageably so. Then slowly, things turned to a trickle. The workload was cut, wages were slashed in half. It was quickly becoming pointless, so I walked into the future, into a vast, welcoming sea of…

…total brokeitude.

I have been here before, many a time. Consider 1993, when I was four months behind in rent. Thanks to a landlord that was flexible enough that I’m still convinced that she was not quite of this world, I didn’t end up on the street. Things did turn around though, and before I knew it, I was waist-deep in a solid income. Lo and behold, I even had the approval of my parents, who as much as they love me, have never really got the whole artist deal. I was acceptable, almost normal, even.

I was miserable.

So when things tanked again in 2001, I walked away from moderately well-heeled despair to attempt to undo the horrendous mistake of it all, this time with a bit of severance pay to soften the blow. This in turn led to graduate school, as well as more time protesting than probably was in my best interests. As noted above, a smaller but noticeable amount of regular income came back into my life for a bit, but things soured again.

Would it shock you if this state is where I find myself still, two years in, ever-so-slowly finding my own way, eking out something well beneath what most people in the US would consider to be a stable income – and yet, even the worst days are vastly more sane, balanced and in tune with the world then the best days previously were? If you are confused by my sense of priorities here, consider this: the “best days” during my corporate years were the days where I had a glimpse of my former happy existence as a broke artist.

If this still puzzles you, let me refer you to a white paper, it may help a bit. “A liminal existence.” That’s what the white paper from AWP said about the post-graduate life of people like me. “Liminal.” See? It’s official. What was formerly the exclusive domain of visionaries and other mad people (I’ll leave it to you to decide which one I am) is now a demographic. You can rest easy in the certainty that I have my place on the spreadsheet now.

This certainty of course is preposterous. All they can offer up is what not just any post-MFA student knows, but what any serious aspiring artist knows as well – that the path of the artist is treacherous, frequently full of failure, and further, that a sizable number of the so-called successes fail epicly to a degree that only Guy Fawkes could fully appreciate, with trashed hotel rooms, fits of mania or suicidal tendencies, and various forms of train wrecked existence in lieu of gunpowder plots? Please. Apologies all around, but forget the white paper. What saved my rounded bottom somewhere between the work drying up and the work drying up yet again was Jeanette Winterson.

Listen to her for yourself:

A work of art is abundant, spills out, gets drunk, sits up with you all night and forgets to close the curtains, dries your tears, is your friend, offers you a disguise, a difference, a pose. Cut and cut it through and there is still a diamond at the core. Skim the top and it is rich. The inexhaustible energy of art is transfusion for a worn-out world.

And:

The artist imagines the forbidden because to her it is not forbidden. If she is freer than other people it is the freedom of her single allegiance to her work. Most of us have divided loyalties, most of us have sold ourselves. The artist is not divided and she is not for sale. Her clarity of purpose protects her although it is her clarity of purpose that is most likely to irritate most people. We are not happy with obsessives, visionaries, which means, in effect, we are not happy with artists. Why do we flee from feeling? Why do we celebrate those who lower us in the mire of their own making while we hound those who come to us with hands full of difficult beauty…what would happen to us if we could imagine in ourselves authentic desire?

These quotes are from a magnificent work of hers called Art Objects, and while it would be a stretch to say that it saved my life, it did save me from a very hazardous toying with a return to the death that is corporate america when the ramen ran out yet again, and the cheap rent started to look insanely expensive.

“Objects to what?”, you may ask.

Being constrained, moulded, packaged, lectured, cajoled. Put into a box for safekeeping. Shrink-wrapped. Lied to, sat upon, mistrusted, misunderstood, ignored. (The former activist in me has to find humor in how closely this resembles Proudhon’s admonishment of government – which is no accident or mere coincidence at all.) In which manner does it do so – the protest, the direct action, the takeover? No. It does so through art itself – not the “I’d like something in green to match the sofa” sort of art – which is more a form of interior decorating – but the kind that takes hold of you and refuses to let go. A tempest that devours the teapot and leaves you bare and Awake. It’s what I live for, and while I would never be so rude as to say that it’s what you should do as well, if you do find yourself in fits of despair, you may want to look at where the creativity in your life resides. If the answer to this is “under a rock,” it may be time to get into the mud a bit.

It should be noted though that none of this is meant to romanticize poverty. The rather dismal state of affairs for artists (and increasingly, for everybody who needs to work for a living) has led to a truncation of the inherent need for creativity in people’s lives by war and economic uncertainty. As Winterson points out, “Ours has not been an easy century for art…Two World Wars, the Spanish Civil War, the General Strike of 1926 and the Depression of the 1930s cut short those experiments in language and in thought that human beings perpetually make and perpetually need.” What she specifically is referring to here is Modernism, but this could be applied to present day realities as well. How much has remained unsaid because of famine, disease and the cultural wars against drug users (actual or suspected), against queers, against pretty much anybody who disobeys? Quite a bit – but consider how power always has two sides; while I think that hip-hop would have emerged with or without the drug wars, consider also how the necessary resistance to power on the part of those who were oppressed led to some of the best works of Hip Hop’s first generation. As Hardt and Negri note repeatedly throughout their work, the price that Empire pays for utilizing biopower may be Empire itself. Do be aware though that for those of you who think that “The Work” is fine and all, but that it’s not social change work, and that it’s not even close to being revolutionary? Please do not project onto artists your own failed attempts at fomenting an uprising because we have the ability to charter the chaotic with greater finesse than you. It makes you mundane, and the last thing the world needs is yet another sorry pack of trifling, artless insurrectionists.

Meanwhile, while we all wait and wonder if capitalism is finally done for good, let it be known that what saved me was not the trade organization, not work (definitely not work), and dear god, don’t even get me started about activism. No, it was art, as in The Work. And my Work objects. Frequently and loudly – but more and more as I recover from activism, from the streets, from that anything-but-liminal form of soul death that I used to call a life? Subtly as well. Art resists – but with a sense of style.

It’s the Friday wrap up, y’allIt’s the Friday wrap up, y’allIt’s the Friday wrap up, y’all

Courtesy of Rebecca Walker, The Great Illmatic‘s amazing YouTube blog on post-racism, Asher Roth and the racial crossroads.

The funny as hell Stimulator is on a west coast tour – the show is called “Hopium: Confronting Fascism in the Obama era”, and promises to be both lively and informative.

Happy birthday to Malcolm X and Harvey Milk! You both are missed, and frequently in my thoughts. <3

Gaurav Mishra on why he writes about social media.

Noam Chomsky on torture memos and Obama.

Lastly, a wink and a nod to @mmrohrer over on Twitter for noting that yes indeed Virginia, there are sex toys in the bible.

That’s about it! Until next week, be well, stay safe and as always, stay in trouble. ^_^